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In Search of the Chrinitoid
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Chrinitoid - n. (RPI) Two Rectangles Vertical Gyratory Up, a kinetic metal sculpture which was lent to the Institute by the sculptor, George Rickey, a professor at RPI from 1961 to 1966. Often confused with meteorological equipment on the Science Center. Although gone, it may be coming back. |
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~ Not the Rensselaer Handbook |
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One of the landmarks of RPI during my time in Troy was the George Rickey sculpture titled Two Rectangles, Vertical Gyratory Up, otherwise known as The Chrinitoid. It was removed from campus in the summer of 1984 (see this Polytechnic front page piece). Rumor always had it that Mr. Rickey wanted RPI to buy it and they couldn't come to terms financially. I have always wondered where the sculpture ended up.
After a while, I got curious about the Chrinitoid's where about and put up the first "In Search of the Chrinitoid" webpage. This attracted the attention of a number of people, mostly RPI alumni. Eventually (in February of 2004), I received the following note:
I immediately reached out to Birgit and she was extremely informative. Here are my notes from our conversations:
The key bit of information, obviously, was that the Chrinitoid had been sold to the Union Bank of Switzerland. It actually took some time for it to click that "Union Bank of Switzerland" was better known in the states as "UBS". A couple more Google searches and I found the curator of the UBS Art collection. I filled out a form on their website, but never really expected a reply. Incredibly, I got a reply (the next day):
Thanks to Google Maps, I can provide satellite imagery of the Chrinitoid site. Click here and look for a pale, blurry bow-tie between the shadow of the octagonal Schanzengraben building and the river. This is the Chrinitoid!
The Article: I wrote an article for the Winter 2004 Rensselear Alumni magazine. It has generated a number of emails from Chrinitoid fans over the years. Drop me a note and I'll add your comments for others to enjoy.
The Chrin - 1/22/2005
Spectral Chrin
Oft have I cast a line to the night, His belt brightly shimmering, Dull it not, but that of the clouds, Impervious to these, it remains. Gaze I unto her eyes, too soon, too much, Be they blue, not for me, My companion, a sentinel of change, Smeared by no one, it remains. Guarded emotion, paroled premature, Unleashed, unrestrained, mired in haste, Subtly reassuring, always there, Though altered swing, it remains. I hear the geese, against the face, Bathed in gray, untrue to all, It too is imperfect, uttering sounds of pain, Of strain, but surely, it remains. Buffed by wind and human hand alike, Odd distortion, assumed dimension of three, Destruction, throughout, constant by creation, In the hallowed halls, it remains. What of them, defiled, impaled within, Structural support primeval, parasitic beam, Heat aside from green, security dispensed, Continually wait; fear not – it remains. Roll of Man, anxious for possession, Graphical analysis, stark in its hold; I am scant, for long not so, Angle before me, too, it remains. Buckets in void, why hang there so? Staring at haired animal, attached lined paper. Green haze, florescent glow, Incandescent, solar; it remains. Purpose, none – a record for all, Cold draft, final: rigid specifications. Remembered red, diffused in crystalline, Walk past; look – it remains. Cold chill, check instilled heretofore, Ghost reflection recalled, impure edifice of marble. Lighted corridor, black, then light, Distance passed, it remains. I hope. Reality returns. 0 Comments
Posted on 06 Apr 2007 by tom
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Other Rickey: Here are some other Rickey sculptures. Note: This webpage replaces the first and second versions of the "In Search of the Chrinitoid" site.
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